Inauguration speech at the Society of Arts, Royal Netherlands Academy of Arts & Sciences (KNAW)

Recently Ronald and Erik Rietveld were inaugurated as members of the Society of Arts at the Royal Netherlands Academy of Arts and Sciences (KNAW), which promotes cross-fertilization between the sciences and the arts. Other artists at this Academy are Anton Corbijn, Arnon Grunberg, Barbara Visser, Heddy Honigmann, Iris van Herpen, Jaap van Zweden, Louis Andriessen, Pierre Audi, Paul Verhoeven, read more...Below you will find a video of our inauguration speech at the KNAW (in Dutch) and an English translation of our text.

 

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Inauguration speach by Ronald & Erik Rietveld at KNAW, d.d. April 1, 2016.

“For us this is a great honor! The Royal Netherlands Academy of Arts and Sciences (KNAW), where the arts and the sciences meet, has invited us to become members as a duo; a duo that operates at the intersection of architecture, visual art and philosophy.

ERCfigure2forwebsiteWhat you see here is a philosophical worldview. Philosophers normally make a world in words, typically in books without pictures. This is a materialized and experiential translation of my philosophical research at the University of Amsterdam. It is a landscape of affordances. Affordances are the possibilities for action that the environment offers us. Your seat affords you to sit on it, a book affords reading, etc. The installation that we built offers many opportunities for supported standing, leaning and hanging, and invites you to frequently switch positions and postures throughout the day. This installation also represents my position within the philosophy of the cognitive sciences. Cognition is not something that takes place purely in our heads. Cognition is made possible and supported by the affordances available in our human ecological niche.

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What you see here is a spatial thinking model. This dissected monument represents our way of thinking and working. The work:
– breaks through existing conventions,
– breaks through indestructible structures,
– breaks though different disciplines, and
– breaks though past and present, looking for new meaning in the future.

This installation, which we provocatively named The End of Sitting, is also a vision on the office of the future, of 2025. It explores what a world without chairs and tables might look like. In the coming years we would like to make more of these visual explorations of the future. This fits perfectly with what has become both a tradition of the KNAW as well as a strategic priority of the scientific part of the Academy, namely the making of future explorations. However, there is an important difference. The foresight studies to be made here at home have typically been written reports. What we want to do is start from our own fascinations and make imagination central to our foresight in a visual way. We would like to build foresight; to materialize thinking models. By building our visions on the future we make them tangible and sensible to people. We call these visions that we build at the intersection of visual art and architecture, “architectural art installations” or, ‘bouwkunst’ in Dutch (literally translated as building-art).

More than ever, the field of architecture needs new types of ‘bouwkunst’:
– A ‘bouwkunst’ that goes beyond the pragmatism and efficiency thinking of today.
– A ‘bouwkunst’ that develops new spatial thinking models.
– There is a need for a ‘bouwkunst’ that encourages new radical experiments, free from conventional constraints.

In short, working from within the KNAW, we wish to dedicate ourselves to making architectural art installations that show society new vistas.”

 

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Vacant NL rated as one of the Top-10 of Sexiest Models of All Time

The installation Vacant NL – RAAAF’s contribution to the Venice Architecture Biennale 2010 – is in great company in this piece on Architizer: Lebbeus Woods, Antonio Gaudi, Jorn Utzon, Tadao Ando, Yuraka Sone and Ludwig Mies van der Rohe amongst others.

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The End of Sitting on a research tour

‘The End of Sitting: Cut Out’ functions now as a platform for empirical research for several Dutch academic medical centers. In Maastricht the Faculty of Health, Medicine & Life Sciences and the University Library joined forces to enable students and researchers to experience The End of Sitting. Check out ‘The Rock’ at UNS 40, Randwyck, Maastricht this month (June 2016)!

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Earlier this month the art installation was presented at the conference ‘Building the Future of Health: Game Changing Concepts for Healthy Aging’ at Groningen University. Human movement scientist Dr. Simone Caljouw is currently investigating how much energy people spend by working on it (a follow up of her earlier study published in Sports Medicine). In May a research team led by Hidde van der Ploeg at the department of Public and Occupational Health at the VUmc Amsterdam studied the use of the object in the main university building and invited members of the Dutch Association of Human Movement Scientists (VvBN) to try it out (see image below). Read her an interview with human movement scientist Dr. Hans Savelsberg in the Observant newspaper of Maastricht University (in Dutch).

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Update 28/6/2016: Netherlands Cultural Heritage Agency (RCE), Ministry of Education, Culture & Science (OCW)  and Staatsbosbeheer are the proud first owners of a End of Sitting-Cut Out standing landscape. This Cut Out can be visited by anyone interested because it is located at the public first floor of their headquarters. Visiting address: Smallepad 5, Amersfoort, The Netherlands.

RAAAF elected New Talent by Metropolis NYC for our architecture of affordances

NYC based Metropolis magazine has elected RAAAF [Rietveld Architecture-Art-Affordances] as New Talent for its combination of architecture and philosopy in works and conceptual installations that highlight urgent societal and cultural issues and are described by the magazine as: “Strangely poetic, if haunting.” “The genius of RAAAF is in its strategic interventions that, though small, invite viewers to imagine a completely different way of living”

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Former Venice Biennale curator Aaron Betsky had nominated RAAAF and emphasized the importance of their architecture of affordances: “They have been at the forefront in the development of an architecture of affordances, designing potentials and activators rather than mere enclosures.”

Read the Metropolis article here.

Read Betsky’s earlier text on the impact of the architecture of affordances, titled “The evolving landscape of archtiectural affordanceshere. The following quote emphasizes its important for the archtecture academies and comes from that latter text:

“A theory of affordance lets us understand buildings not as objects, but as environments that afford us possibilities, that open and enclose, that respond and give us clues, and that do not differentiate themselves into the duality of inside and outside, form and space, structure and enclosure. If that theory lets us create architecture that is more human, that allows us to be at home in the modern world, and that opens us up to each other and the world we have made together, then it is a useful design tool.”

Read also What are affordances?

 

New publication: enactive ethnography of skilled intentionality in architecture

Well known philosophy journal Phenomenology & the Cognitive Sciences has accepted our paper on optimal grip on affordances in RAAAF’s architectural design practices. It is based on Anne Brouwers’ ethnography as an embedded researcher at RAAAF ‘s studio.

Download it here: Rietveld, E. & Brouwers, A.A. (2016) Optimal grip on affordances in architectural design practices: An ethnography. Phenomenology and the Cognitive Sciences, doi: 10.1007/s11097-016-9475-x

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This paper will be interesting for philosophers of enactive/embodied cognitive science, philosophers working on distributed cognition and architects/artists curious about RAAAF’s way of working and affordance-based architecture more generally.

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