Vacant NL rated as one of the Top-10 of Sexiest Models of All Time

The installation Vacant NL – RAAAF’s contribution to the Venice Architecture Biennale 2010 – is in great company in this piece on Architizer: Lebbeus Woods, Antonio Gaudi, Jorn Utzon, Tadao Ando, Yuraka Sone and Ludwig Mies van der Rohe amongst others.

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The End of Sitting on a research tour

‘The End of Sitting: Cut Out’ functions now as a platform for empirical research for several Dutch academic medical centers. In Maastricht the Faculty of Health, Medicine & Life Sciences and the University Library joined forces to enable students and researchers to experience The End of Sitting. Check out ‘The Rock’ at UNS 40, Randwyck, Maastricht this month (June 2016)!

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Earlier this month the art installation was presented at the conference ‘Building the Future of Health: Game Changing Concepts for Healthy Aging’ at Groningen University. Human movement scientist Dr. Simone Caljouw is currently investigating how much energy people spend by working on it (a follow up of her earlier study published in Sports Medicine). In May a research team led by Hidde van der Ploeg at the department of Public and Occupational Health at the VUmc Amsterdam studied the use of the object in the main university building and invited members of the Dutch Association of Human Movement Scientists (VvBN) to try it out (see image below). Read her an interview with human movement scientist Dr. Hans Savelsberg in the Observant newspaper of Maastricht University (in Dutch).

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Update 28/6/2016: Netherlands Cultural Heritage Agency (RCE), Ministry of Education, Culture & Science (OCW)  and Staatsbosbeheer are the proud first owners of a End of Sitting-Cut Out standing landscape. This Cut Out can be visited by anyone interested because it is located at the public first floor of their headquarters. Visiting address: Smallepad 5, Amersfoort, The Netherlands.

New publication in Harvard Design Magazine

Harvard Design Magazine has now published our article on the way the theory of affordances developed in our philosophical VIDI-project has contributed to RAAAF’s award winning End of Sitting landscape of standing affordances. The paragraph below gives an impression of the philosphical ideas behind this enactive art installation.

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“Can we use this soliciting power of relevant affordances to make healthier working environments? Can we create new material affordances that solicit different activities? Recent philosophical work on affordances in embodied cognitive science defined affordances more precisely:

“Affordances are relations between aspects of a material environment and abilities available in a form of life”, which includes socio-cultural practices in our human case (Rietveld & Kiverstein, 2014, p. 335).

This definition suggested to us, the Amsterdam-based multidisciplinary studio RAAAF [Rietveld Architecture-Art-Affordances], that it should be possible to piggyback on peoples’ existing abilities for standing, leaning and hanging to create new affordances for working in all sorts of supported positions. Moreover, from studies on affordances in ecological dynamical-systems theory we know that offering a large variety of affordances can help create an environment that invites roaming around in a certain area (see Bruineberg & Rietveld, 2014 on “metastability” and action readiness). The combination of these ideas let to the End of Sitting, a large, spatial art installation that offers an entire landscape of (body-scaled) affordances that scaffold working in many different positions and invites people to switch positions frequently.”

Download the paper here:

Rietveld, E., Rietveld, R., Mackic, A., Van Waalwijk van Doorn, E., Bervoets, B. (2015), The End of Sitting, Harvard Design Magazine 40, pp. 180-181.

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RAAAF elected New Talent by Metropolis NYC for our architecture of affordances

NYC based Metropolis magazine has elected RAAAF [Rietveld Architecture-Art-Affordances] as New Talent for its combination of architecture and philosopy in works and conceptual installations that highlight urgent societal and cultural issues and are described by the magazine as: “Strangely poetic, if haunting.” “The genius of RAAAF is in its strategic interventions that, though small, invite viewers to imagine a completely different way of living”

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Former Venice Biennale curator Aaron Betsky had nominated RAAAF and emphasized the importance of their architecture of affordances: “They have been at the forefront in the development of an architecture of affordances, designing potentials and activators rather than mere enclosures.”

Read the Metropolis article here.

Read Betsky’s earlier text on the impact of the architecture of affordances, titled “The evolving landscape of archtiectural affordanceshere. The following quote emphasizes its important for the archtecture academies and comes from that latter text:

“A theory of affordance lets us understand buildings not as objects, but as environments that afford us possibilities, that open and enclose, that respond and give us clues, and that do not differentiate themselves into the duality of inside and outside, form and space, structure and enclosure. If that theory lets us create architecture that is more human, that allows us to be at home in the modern world, and that opens us up to each other and the world we have made together, then it is a useful design tool.”

Read also What are affordances?

 

New publication: enactive ethnography of skilled intentionality in architecture

Well known philosophy journal Phenomenology & the Cognitive Sciences has accepted our paper on optimal grip on affordances in RAAAF’s architectural design practices. It is based on Anne Brouwers’ ethnography as an embedded researcher at RAAAF ‘s studio.

Download it here: Rietveld, E. & Brouwers, A.A. (2016) Optimal grip on affordances in architectural design practices: An ethnography. Phenomenology and the Cognitive Sciences, doi: 10.1007/s11097-016-9475-x

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This paper will be interesting for philosophers of enactive/embodied cognitive science, philosophers working on distributed cognition and architects/artists curious about RAAAF’s way of working and affordance-based architecture more generally.

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New Enactive Art Installation: The End of Sitting

The End of Sitting is a large spatial installation at the crossroads of visual art, architecture, philosophy and empirical science.

The End of Sitting. Photo: Frederica Rijkenberg

In our society almost the entirety of our surroundings have been designed for sitting, while evidence from medical research suggests that too much sitting has adverse health effects. RAAAF [Rietveld Architecture-Art Affordances] and visual artist Barbara Visser have developed a concept wherein the chair and desk are no longer unquestionable starting points. Instead, the installation’s various affordances solicit visitors to explore different standing positions in an experimental work landscape.

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The End of Sitting marks the beginning of an experimental trial phase, exploring the possibilities of radical change for the working environment. This project is a spatial follow-up of the recently released mute animation ‘Sitting Kills‘ by RAAAF | Barbara Visser, developed as a vision on the workspace of 2025, commissioned by the Chief Government Architect of the Netherlands. Moreover, the art installation is the visual component of Erik Rietveld’s philosophical research project titled ‘The Landscape of Affordances: Situating the Embodied Mind’; the installation visualizes the  philosophical notion of a Landscape of (Standing) Affordances. You can find a link to the philosophical paper on the landscape of affordances in this earlier post.RAAAF-Rietveld-Architecture-Art-Affordances-The-End-of-Sitting-000958image

The End of Sitting is a collaboration with Looiersgracht 60, a new space for art and science in Amsterdam. Gibsonian ecologicla psychologist Dr. Rob Withagen of the University of Groningen (Center for Human Movement Sciences / University Medical Center) has studied 1) how people use the landscape of standing affordances and 2) how the amount of movement and 3) productivity compare to working in a traditional open office setting. The experiment on the rock of standing affordances has been recorded with 4 camera’s. The subjects’ use of standing affordances and data on productivity are currently being analyzed by Dr. Withagen. They expect to publish the findings on affordance use and productivity next spring.

You can find an overview of the attention this project attracted in the international media here and a summary of RAAAF’s research for the End of Sitting below:

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A giant monkey rock, that is how the office of the future might well look like

Sitting kills. RAAAF | Barbara Visser made with their Outstanding Landscape of Affordances a vision on the future of the workplace where the chair and the table are no longer the starting point. Barbara Visser is a visual artist and since 2014 chair of the recently re-established Society of Arts of the Netherlands Royal Academy (KNAW). This new work was commissioned by the Netherlands Chief Government Architect and motivated by a widely shared feeling of dissatisfaction with present-day standardized open spaces for “flex-working” as implemented at the various ministries, municipalities and universities.

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Medical research has suggested that constantly sitting at work is bad for you. Even worse, a recent BBC News article noted: “We can’t simply fix it by heading for the gym.” Sitting kills. The BBC-article was titled: “Could offices change from sitting to standing?” Outstanding Landscape of Affordances shows how our offices could invite a more active and healthy life style. RAAAF | Barbara Visser presented an animation of a futuristic landscape of possibilities for working while standing up, a sculpture to be realized by the artists in Amsterdam later this year.

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The mute animation ‘Sitting Kills’ shows a large rock-like structure. It is designed out of a thousand different possibilities for working in positions between standing and laying. The key is that the sculpture’s affordances stimulate people to take up different working positions during the day and promotes concentration. The richness of this landscape of affordances gives people the freedom to find the optimal position for their different tasks and needs during the working day. This vision presents a radical break with regular office furniture and current working models such as “flex-working”, which all are still based on sitting. In fact our societies’ entire surroundings are designed for being seated. This is a first step towards a future in which standing at work is the new norm. A lifelong health where we are both physically and mentally active.

This project is is also a next step in visualizing the landscape of affordances, this time focusing on possibities for standing, leaning and hanging provided by the monkey rock-like sculpture. Links to earlier visualizations related to Erik Rietveld’s VIDI-project ‘The Landscape of Affordances’ can be found here.

Designboom’s coverage of the animation can be found here.

See also how Barbara Visser has filmed the tendency towards optimal grip on standing affordances in these making-of movies: 

Update 11/12/14: The Landscape of Standing Affordances has now been built as an enactive art installation, see here.